I was raised with adults. I skipped knowing how to interact as a normal teenage person.

I grew up on film sets but more around the process of making films. I saw a lot of the editing process and the writing process, which takes years. That really affected me growing up, that side of it.

I've spent half my life on planes. I have a lot of love for New Zealand, though. That is where the really arty, whimsical side of the family resided - in Hobbitland.

There is something about the South that accepts the supernatural. If you don't accept it and you're having a conversation with someone who does, it's just one of those polite things where you don't question their belief in ghosts. You just go, 'Oh, yeah, okay.' It's amazing to be able to have conversations like that.

I'm a big fan of being able to hold those long shots and use space. I don't know, I think everything's so quick cut these days, as if films are too afraid that the audience is going to get bored instead of relaxing and trusting their work.

It's a bit like school camp, shooting a film. Everyone's on heat. It's a strange energy. It's full of adrenalin. I funnel my excess energy in funny little ways. I do a lot of dancing in my trailer. I love music.

It's not what you see on-screen that makes a performance. It's the things you should never know about - it's the secrets.