You can't tell a writer they should just be more confident.

Even murderers, I suppose, experience the loss of car keys the way the rest of us do. I mean, how can they not? Once you make this person scramble around the house looking for her car keys and finally find them, get in the car, and run into traffic, we can identify with her enough that when she stops the car and pulls the gun out of her purse and heads in to kill somebody, we'll be with her as much as is possible.

Sometimes indirect style and varying chronology is great, but quite often I've seen it be just something that gets in the way. It turns out when I talk to the writer that she or he, and more often it's a woman, that she's worried.

Whoever would write books? It's suffering as well as greatly satisfying. And certainly there's suffering in the sense that you don't know for a long time how to do it.

We still have so many cultures in which people are imprisoned and whipped and killed for writing what they think.

Little children are all writers.

The main thing is to explain to yourself that everybody suffers.