Sometimes people want to know how to write a story from the point of view of a murderer and make her sympathetic. I think the answer is that you start by having her look for her car keys, because everybody knows what it's like.

Whoever would write books? It's suffering as well as greatly satisfying. And certainly there's suffering in the sense that you don't know for a long time how to do it.

When I've taught writing to five, six, and seven year olds, it's not very different than talking to an adult writer. They're writers then, and when they get to be young teenagers they're not anymore. You might go and talk to them about writing, and they'll be very self-conscious or will have detached themselves from the group.

You may be somebody who writes best for a small press that doesn't pay very well, but you might have a fascinating and intricate style that might not appeal to as many readers but will be incredibly meaningful to the readers you have. Truly, that's as wonderful if not more wonderful.

Writers sometimes are paid a great deal of money, but much more frequently they're not paid or are paid only a little bit.

I had never written about what it's like to live the life of a writer, and I had never read a book that combined talking about the life of writing and how you can do it, how you can stand it, how you can emotionally manage it, with the choices that we all make on the page.

You can't tell a writer they should just be more confident.