I don't always, or even usually, read stories from beginning to end. I start anywhere and proceed in either direction. A story is not like a road to follow, it's more like a house. You go inside and stay there for a while.

For years and years I thought that stories were just practice, till I got time to write a novel.

I just believed it easily, the way you might believe and in fact remember that you once had another set of teeth, now vanished but real in spite of that. Until one day, one day when I may even have been in my teens, I knew with a dim sort of hole in my insides that now I didn't believe it anymore.

In dreams you can have the feeling that you've had this dream before, that you have this dream over and over again, and you know that it's really nothing that simple. You know that there's a whole underground system that you call 'dreams,' having nothing better to call them, and that this system is not like roads or tunnels but more like a live body network, all coiling and stretching, unpredictable but finally familiar - where you are now, where you've always been.

Country manners. Even if somebody phones up to tell you your house is burning down, they ask first how you are.

For we did makeup. But we didn't forgive each other. And we didn't take steps. And it got to be too late and we saw that each of us had invested too much in being in the right and we walked away and it was a relief.

What if people really did that - sent their love through the mail to get rid of it? What would it be that they sent? A box of chocolates with centers like the yolks of turkey eggs. A mud doll with hollow eye sockets. A heap of roses slightly more fragrant than rotten. A package wrapped in bloody newspaper that nobody would want to open.