There's a kind of tension that if I'm getting a story right I can feel right away, and I don't feel that when I try to write a novel. I kind of want a moment that's explosive, and I want everything gathered into that.

Sometimes our connection is frayed, it is in danger, it seems almost lost. Views and streets deny knowledge of us, the air grows thin. Wouldn't we rather have a destiny to submit to, than, something that claims us, anything, instead of such flimsy choices, arbitrary days?

And now such a warm commotion, such busy love.

People are curious. A few people are. ... They will put things together, knowing all along that they may be mistaken. You see them going around with notebooks, scraping the dirt off gravestones, reading microfilm, just in the hope of seeing this trickle in time, making a connection, rescuing one thing from the rubbish.

For we did makeup. But we didn't forgive each other. And we didn't take steps. And it got to be too late and we saw that each of us had invested too much in being in the right and we walked away and it was a relief.

There is a limit to the amount of misery and disarray you will put up with, for love, just as there is a limit to the amount of mess you can stand around a house. You can't know the limit beforehand, but you will know when you've reached it. I believe this.

My head was a magpie's nest lined with such bright scraps of information.