Usually, I have a lot of acquaintance with the story before I start writing it. When I didn't have regular time to give to writing, stories would just be working in my head for so long that when I started to write I was deep into them. Now, I do that work by filling notebooks.

This is the way you look at the poorest details of the world resurfaced, after you've been driving for a long time -- you feel their singleness and precise location and the forlorn coincidence of you being there to see them.

They were all in their early thirties. An age at which it is sometimes hard to admit that what you are living is your life.

People’s lives, in Jubilee as elsewhere, were dull, simple, amazing, and unfathomable – deep caves paved with kitchen linoleum.

Naturally my stories are about women - I'm a woman. I don't know what the term is for men who write mostly about men. I'm not always sure what is meant by "feminist." In the beginning I used to say, well, of course I'm a feminist. But if it means that I follow a kind of feminist theory, or know anything about it, then I'm not. I think I'm a feminist as far as thinking that the experience of women is important. That is really the basis of feminism.

It's certainly true that when I was young, writing seemed to me so important that I would have sacrificed almost anything to it ... Because I thought of the world in which I wrote -- the world I created -- as somehow much more enormously alive than the world I was actually living in.

And did I not think then, What nonsense it is to suppose one man so different from another when all that life really boils down to is getting a decent cup of coffee and room to stretch out in?