I personally have never trusted museums. ... It is because museums, broadly speaking, live off of the art and artifacts of others, often art and artifacts that have been obtained by dubious means. But they also manipulate whatever it is they present to the public; hence, until Judy Chicago, in the 1970s ... few women artists were hung in any major museum. Indian artists? Artifacts only, please. Black artists? Something musical, maybe? And so forth.

(a womanist) 3. Loves music. Loves dance. Loves the moon. Loves the Spirit. Loves love and food and roundness. Loves struggle. Loves the Folk. Loves herself. Regardless.

Odinary people don't have a feeling of being loved by the people who manage to get into positions of leadership. They get in there, they make a lot of money, and then they play games with us.

The earth is for joy, and dancing is a big part of that. And you dance with nature. Nature is always dancing. If you're not harassing it and killing it and mutilating it, nature is dancing. That's what the leaves are doing when the wind blows through them. We live in a magical wonderful universe. And just spoil it while thinking we can at some point go to heaven or some other planet.

In order to be able to live at all in America I must be unafraid to live anywhere in it, and I must be able to live in the fashion and with whom I choose.

You have to steal back yourself. You have to steal back your own mind. Meditation helps in that area.

I come from somewhere and from specific black people in the South, including my parents, who built our first school, and rebuilt it after it was burned to the ground. And they used to bake pies and cakes to raise money to keep it going. So, I learned to struggle from a very early way in a way that was truly indigenous to the South.