Bringing science into poetry is one way of acknowledging some of the richest stuff that is in my cultural moment.

I was attacked by two dogs when I was three and a half years old. I'm lucky to be alive. My face was stitched back together and here I still am, gratefully so. I believe that experience shocked me into a deep alliance with the animal world, its beauty and viciousness and terror.

Bringing science into poetry is one way of acknowledging some of the richest stuff that is in my cultural moment.

I'm extremely interested in science as the mythos within which I live. Science tells me what kind of animal I am, what kind of a universe I live in. It's always deepening my understanding of the natural world.

I think I started writing as a young person because I felt a lot of psychic confusion and emotional confusion, and writing was a way to sort it out. You know, to externalize it, sort it out, put it down, look at it, and hopefully it would become clearer.

I'm trying to learn something about making a balance between the inner life and the outer life. I wouldn't write if I didn't need to be making those discoveries, if I didn't feel the perpetual ignorance of being a human being.

I don't want people to write programmatic environmental poems, but I think sustainability should become deeply a part of the consciousness of poetry - an impulse toward compassion, empathy, and social justice.