It's a challenge of to write a narrator who is doing something that is really unlikeable and morally questionable. A lot of times, you read a book because you like the character, you are cheering for the character; you want the best for the character.

It was just such a complete shock to turn on the news one day and see someone that you know, someone you have passed in the halls of your high school. It got me thinking, 'Well, what are some novels that are about female sexual psychopaths? I really didn't have many references for that, and I felt like that was a void in transgressive literature that I wanted to fill.'

I think humor is like a shield that lets you get as close to the sad sad flame as possible - far closer, oftentimes, than drama.

With surgical insight, Inside Madeline delves into the most complex female territory imaginable and dissects until every honest bone is revealed. Bomer's prose doesn't flinch, doesn't filter-the bravery of these stories left me breathless.

It's a challenge of to write a narrator who is doing something that is really unlikeable and morally questionable. A lot of times, you read a book because you like the character, you are cheering for the character; you want the best for the character.

Las Vegas is incredible. Either you love it or you're a classy person with morals. I fall into the former category. It's definitely bled into my writing.

I really want readers to put themselves into the shoes of each character. So the opening lines are an orienting technique: this is where you are, this is who you are. Go.