More than anything else, though, to anyone who would write about it, golf offers a four-hour drama in two acts, which becomes memorable even in the tape-recorded reminiscenses of old champs, and which - in the hands of someone like Herb Wind - can become a piece of war correspondence as artfully controlled as Alan Morehead's account of Gallipoli.

I think it was Roger Fry who first coined what he took to be a final definition of a work of art, whether it was a painting, building, poem or Hepplewhite chair. He said that the best works of art are finished products that preserve 'a valuable state of mind'.

A professional is someone who can do his best work when he doesn't feel like it.

I believe Hollywood is the most effective and disastrous propaganda factory there has ever been in the history of human beings.

Americans are less mystical about what produced their inland or meadow courses; they are the product of the bulldozerm rotary ploughs, mowers, sprinkler systems and alarmingly generous wads of folding money.

No myth dies harder, and none is more regularly debunked by the facts, than the one about international sports contributing to international friendship.

To watch an American on a beach, or crowding into a subway, or buying a theatre ticket, or sitting at home with his radio on, tells you something about one aspect of the American character: the capacity to withstand a great deal of outside interference, so to speak; a willing acceptance of frenzy which, though it's never self-conscious, amounts to a willingness to let other people have and assert their own lively, and even offensive, character. They are a tough race in this.