When I became a feminist, when the movement started in the late sixties, I started writing because I had something urgent to say. My first novel, Memoirs of an Ex-Prom Queen, is the product of that urgency.

I don't really think myself that sex work is necessarily more demeaning than other kinds of demeaning work.

I see old age not as something to hide from or dread (though there is much to oppose in the usual treatment of the old) but rather as something to embrace as the natural and inevitable end.

The movement for women's liberation was about an emotional transformation, an explosion, a feeling all over the country that things must be different, and ideas about how they should be. I think fiction can capture that kind of thing better than other genres because in fiction you can explore the feelings of your characters - the before and the after.

Ever since Freud, being alone has been considered something of a psychological failure. The point, according to Freudian theory, is to be able to love and connect. But I don't believe that at all. I think that being alone and being coupled and being in a group are all natural states in which people can thrive.

I did not intend to be a writer. I first wanted to be a lawyer, like my father. Then I got bit by the bug of philosophy and wanted to be a philosophy professor. I went to graduate school and quickly discovered it was impossible for a woman in those days - this was the early fifties - to be a philosopher, so I gave that up.

People often say to me now, "Your work changed my life." I'm sure that's an exaggeration, but they say it had a big effect on them and enabled them to change. I'm not sure I believe that a book will cause someone to change.