There is still nothing like equality for women in jobs, in family. There's just an awareness that inequality is not acceptable.

The movement for women's liberation was about an emotional transformation, an explosion, a feeling all over the country that things must be different, and ideas about how they should be. I think fiction can capture that kind of thing better than other genres because in fiction you can explore the feelings of your characters - the before and the after.

When you witness the end of a life up close day by day, you begin to understand time and mortality in profound ways. You see time's relativity, death's necessity.

When I became a feminist, when the movement started in the late sixties, I started writing because I had something urgent to say. My first novel, Memoirs of an Ex-Prom Queen, is the product of that urgency.

I see old age not as something to hide from or dread (though there is much to oppose in the usual treatment of the old) but rather as something to embrace as the natural and inevitable end.

I did not intend to be a writer. I first wanted to be a lawyer, like my father. Then I got bit by the bug of philosophy and wanted to be a philosophy professor. I went to graduate school and quickly discovered it was impossible for a woman in those days - this was the early fifties - to be a philosopher, so I gave that up.

There is a lot of gender segregation. You still have many poor women who work in women-only jobs. In the family, in most cases, only women have the double job of working outside the home and taking care of the family.