In my books, my idea is always to explore social context and social forces.

Within walking distance of any spot on Earth there's probably more than enough mystery to investigate in a lifetime.

When you witness the end of a life up close day by day, you begin to understand time and mortality in profound ways. You see time's relativity, death's necessity.

As I experienced life on the island, without electricity, plumbing or telephone, I thought it was important to show that people can live as I did without dying or falling apart. I wanted people to understand that we don't need everything that our culture tells us we have to have to be satisfied.

Many people spend the ends of their lives alone, and probably a lot of years in the middle of their lives, and I'm glad I had the opportunity to experience the rewards of solitude.

When I became a feminist, when the movement started in the late sixties, I started writing because I had something urgent to say. My first novel, Memoirs of an Ex-Prom Queen, is the product of that urgency.

I see old age not as something to hide from or dread (though there is much to oppose in the usual treatment of the old) but rather as something to embrace as the natural and inevitable end.