Aaron Sorkin wrote me one of the best female roles on television, I think. He's a wonderful writer for all people. If he chooses to write, hopefully he'll write something that involves more women next time, because I would love to do it.

Aaron Sorkin uses a lot of the same people again and again - the people he likes. I think if there's ever a part for me, he would consider me for it. I hope so. Sometimes familiarity breeds contempt, other times it helps you. It's just amazing to work with his scripts. There's never any fat in them. It's all perfect, and there's such a rhythm to it. The musicality of his writing - it's so specific and unique to him, and such a joy to play as an actor, because there's no sentimentality.

I always feel like a doctor who loses a patient on the operating table or something where I felt just devastated and I beat myself up until I get to try it the next night and “I'll get it better tonight.” So I'm hard on myself. I think I'm not alone in that regard with acting.

I think it was a subject matter that The Social Network didn't involve a lot of women. That's all I think it is.

I never stop. I don't want to stop acting because I'm afraid it'll all end, so I never say no.

It's a little weird accepting your voice coming out of an animated character. You don't buy it at first because it's your voice and none of us like our voices when we hear them recorded back.

I am lucky enough to have Aaron Sorkin write what I have to say.