Denying the undeniable just makes you sound like a fool as well as a liar.

I tell you, I'm half tempted to break into CIA custody just so I can break Joe Solomon out of CIA custody just so I can break Joe Solomon.

Either we're a team or we aren't. Either you trust me or you don't." Hale took a step toward her. "What's it going to be, Kat?" It is an occupational hazard that anyone who has spent her life learning how to lie eventually becomes bad at telling the truth; in that moment Kat didn't have a clue what to say. I carn't do this with out you sounded trite. What they were doing was to big for a simple please. Hale I-" You know what? Never mind. Either way, I'm in Kat." He seemed utterly resloved as he slipped on his sunglasses. "I'm all in

He's a boy, Kat. I hate to break it to you, but we are fundamentally different.

Hale!' Kat cried, but the boy only stared at her. 'Fine,' she conceded. 'I love your boat.' 'Ship.' 'Ship ... Your ship is beautiful.

And there's a cop over there." "What?" the boy said, glancing at the D.C. police officer that stood at the corner of the street, "You think that guys can do a better job protecting you than I can?" Actually, I thought Liz could have done a better job "protecting" me than he could, but instead I said, "No, I think if you don't leave me alone, I can scream and that cop will arrest you." Somehow the boy seemed to know it was a joke.

I love being a pavement artist; seriously, I do. It's like when guys who would normally hate being freakishly tall discover basketball, or when girls with abnormally long fingers sit down at a piano. Blending in, going unseen, being a shadow in the sun is what I'm good at. Seeing the shadows, it turns out, is not my natural gift.