We are rich in the quantity of songs rather than in the quality. The singer has to go through hundreds of compositions before he finds one that really says something.

Vocal study before age 20 is likely to be injurious, though some survive it in the hands of very careful and understanding teachers.

When the student has her voice under complete control, it is safe to take up the lyric repertoire of Mendelssohn, Old English Songs, etc. How simple and charming they are!

Inspired by the purse rather than the soul, the mercenary side fairly screams in many of the works put out by every day American publishers.

French is, in many ways, more difficult for an English-speaking person to sing. It is so full of complex and trying vowels. It requires the utmost subtlety.

Acquiring a repertoire in these days, when the vocal literature is so immense, so overwhelming, that the student with sense will devote all his energies to work and not imagine himself a martyr to art.

If the student could give up her work on my advice, she had better give it up without it. One does not study for a goal. The goal is a mere accident.