And I saw for the first time how, despite the isolation of our own lives, we are always connected to our ancestors; our bodies hold the memories of those who came before us, whether it is the features we inherit or a disposition that is etched into our soul.

A woman who loves books has a dreamer's soul, with each story she has read woven into her own.

A woman's pelvis is like an hourglass with the capacity to tell time. It both creates and shelters life. When the mother's diet is insufficient, nutrients are pulled from her own teeth and bone. Women are built to be selfless.

You hear in the person you're destined to love the sound of those yet to be born.

And I saw for the first time how, despite the isolation of our own lives, we are always connected to our ancestors; our bodies hold the memories of those who came before us, whether it is the features we inherit or a disposition that is etched into our soul.

But in order to survive in this foreign world, I had to teach myself that love was very much like a painting. The negative space between people was just as important as the positive space we occupy. The air between our resting bodies, and the breath in our conversations, were all like the white of the canvas, and the rest our relationship- the laughter and the memories- were the brushstroke applied over time.

In my old age, I have come to believe that love is not a noun but a verb. An action. Like water, it flows to its own current. If you were to corner it in a dam, true love is so bountiful it would flow over. Even in separation, even in death, it moves and changes. It lives within memory, in the haunting of a touch, the transience of a smell, or the nuance of a sigh. It seeks to leave a trace like a fossil in the sand, a leaf burning into baking asphalt.