The stage show is, in some sense, highly theatrical. It's definitely not just a band in jeans playing rock and roll.

I had a real come-to-Jesus a couple of years ago when I started to see the direct line between feminism and everything else - feminism and climate change, feminism and poverty, feminism and hunger - and it was almost like I was born again and started walking down the street and was like, "Oh, my God, there are women everywhere! They're just everywhere you look. There's women all over the place!"

I firmly believe in music being as free as possible. Unlocked. Shared and spread. In order for artists to survive and create, their audiences need to step up and directly support them.

I have a handful of really close relationships in my life and I depend on those people heavily to carry me through and to help me stay steady.

Nothing is crueller than children who come from good homes.

In both the art and the business worlds, the difference between the amateurs and the professionals is simple: The professionals know they're winging it. The amateurs pretend they're not.

There was a dance that everyone was doing that was heavily skewed with the power in one direction, but the dance was basically working, and then the dance got really disrupted with the first wave of feminism, and nobody found their footing yet - not the guys, not the women.