I had a real come-to-Jesus a couple of years ago when I started to see the direct line between feminism and everything else - feminism and climate change, feminism and poverty, feminism and hunger - and it was almost like I was born again and started walking down the street and was like, "Oh, my God, there are women everywhere! They're just everywhere you look. There's women all over the place!"

I think it's so important to have a practice, because the consciousness isn't perfection or enlightenment or any of that bullshit. The consciousness is, "Oh, I'm walking down the street and I'm doing nothing."

All of my music, my stage show, my personality, my blog, my twitter feed, anything that's made me me, and a huge part of why people like and respect me, is that I just don't spend much energy on that other stuff. It's not worth it. It's a losing battle too. You're just screwed the minute you engage.

Twitter fascinates me because it's real. It feels kind of unreal, but it makes very real things happen.

There's a huge cloud of shame around art and business being seen as bedfellows.

How you sound. How you look. Are you fat? Those are things that could be really irritating.

There's something advantageous about being a woman in rock versus, say, a woman in chemistry or construction. There's definitely a built-in sexism across the board, but I think you're afforded a degree of freedom in rock because, historically, the rules have been flexible.