I think a good role model has to be sexy. Real, empowered, self-possessed women are sexy. When you're really in control of your choices, your mood, your body, and your opinions, people find you sexy.

For most of human history, musicians, artists, they've been part of the community — connectors and openers, not untouchable stars.

I had a real come-to-Jesus a couple of years ago when I started to see the direct line between feminism and everything else - feminism and climate change, feminism and poverty, feminism and hunger - and it was almost like I was born again and started walking down the street and was like, "Oh, my God, there are women everywhere! They're just everywhere you look. There's women all over the place!"

There's a part of me that is really, really happy with all of my success lately because of what it can get me and what it can buy me in the fact that my music will hopefully reach more people. But it also makes me a little bit miserable because the minute the spotlight is on you, people start flinging sh*t at you for whatever reason.

I've watched so many women, from Kathleen Hanna all the way up to Taylor Swift, whether they're pop artists or rock stars or fine artists or writers, it is the subhistory of female artists that if you're going to make art, you're also going to have a full-time job of defending your right to make art.

I think performance art comes from a simple place of wanting to express things beyond just sound.

In both the art and the business worlds, the difference between the amateurs and the professionals is simple: The professionals know they're winging it. The amateurs pretend they're not.