I think the Internet really sussed things into perspective. Because twelve years ago, I could spend my days on writing and running my band and touring and making posters and practicing with my band and working on my vocals, but I didn't spend a large pie chart of my time sifting through criticism as well, and nowadays I do, and all female artists do, because to be able to promote your work, you need to live in those spaces.

There's nothing more threatening than a powerful woman, and there's nothing more threatening to the current order of things than women powerfully owning their own narrative. It's so threatening to people, to women as well, and it's threatening the order of things.

The cool thing too, as you get older, you get way better at identifying who's an ally and who isn't. And who has good, positive, "let's make all this sh*t better and let's try to have fun and fix sh*t" people as opposed to "let's sit around and b*tch and berate" people.

You're not going to be perfect, you're not going to stop berating yourself, you're not going to stop the comparisons, you're not going to stop the judgment, but you can become evermore mindful of it, and that has to be good enough.

One thing about being a performer is you're not just doing an intellectual job behind a desk; you're out there performing and being looked at, being assessed for really superficial stuff.

When you cannot joke about the darkness of life, that’s when the darkness takes over.

For most of human history, musicians, artists, they've been part of the community — connectors and openers, not untouchable stars.