There's a very small group of elite actresses who are my age, who people want to work with. It's not easy to get a good job with good actors.

There aren't many roles that are interesting if you're a 40-year-old woman, unless you're Julia Roberts or Cate Blanchett.

I have a feeling there is no ideal situation, unless she could go back in time and be 22 again. I think some of it is just kind of the shock of realizing that you're approaching middle age, or that you are middle-aged and kind of coming to terms with that in whatever incremental ways.

They talk about a lot of different things, but I think they definitely have the same school of thought as my husband [Games Of Thrones creator David Benioff], which is that the difference between being a writer and not being a writer is finishing.

Nancy has her vision and she's a formidable force to be reckoned with, and that's similar to most of the male directors I've worked with. The only difference is probably inbetween scenes, gossiping with Diane Keaton, Frances McDormand and Nancy Meyers about who's had Botox and who hasn't.

I'd love to work with Joan Cusack again - I'm obsessed with Joan Cusack.

I think network television is really hard because it has to sail right away. HBO's so much more nurturing, patient. They think it takes a while for a show to kind of congeal and figure out what its strong spots are.