They [Mark and Jay Duplass] both have young kids and talk about parenting all the time. So they get it. So they knew that it was a very delicate time and they knew that it was a lot. All it did was make me want to protect them from - and protect production from - any kind of burden.

I'm still trying to write. I wrote a play a few years ago, so I'm trying to start writing again. The play was called The Commons Of Pensacola. It was at MTC [Manhattan Theatre Club] with Sarah Jessica Parker and Blythe Danner. It was kind of like a riff on Ruth Madoff.

Mark and jay Duplass really like to improvise. Even if we beg them to go back to the script, they invariably ask us to go "off the rails," as they like to call it. It's just the way they work. You get a full written script. And it's really, really, really good, so that's why it's kind of peculiar that they always want you to improvise, because if I wrote something that good, I would want everyone to stick to the dialogue that was written.

As an actor, my main focus is finding good writing and attacking a good role.

Although arguably, it's my job to dig deep whether I'm improvising or not. It's just their style. That's the way they feel like they get what they want. I mean, they're really good storytellers, so I love being in their hands.

I think children should be vaccinated because that affects the health of all the other children.

When I read "The Whole Nine Yards" I was like, 'Okay, this is a G-spot role'.