They [Mark and Jay Duplass] both have young kids and talk about parenting all the time. So they get it. So they knew that it was a very delicate time and they knew that it was a lot. All it did was make me want to protect them from - and protect production from - any kind of burden.

I have a feeling there is no ideal situation, unless she could go back in time and be 22 again. I think some of it is just kind of the shock of realizing that you're approaching middle age, or that you are middle-aged and kind of coming to terms with that in whatever incremental ways.

If you take "Cheers" and "Seinfeld" and watch the early shows, they're kind of awkward. It took a while for the writers and everything to gel.

I'm still trying to write. I wrote a play a few years ago, so I'm trying to start writing again. The play was called The Commons Of Pensacola. It was at MTC [Manhattan Theatre Club] with Sarah Jessica Parker and Blythe Danner. It was kind of like a riff on Ruth Madoff.

Well, my mom is single and we've both been single at the same time over the last ten years, so I really related to the bond between my character and Diane's.

If there were some recipe that would make all of our children really sane and civic-minded and hugely intelligent, I think we'd probably all do it. But I don't know that there is a recipe for creating that.

Although arguably, it's my job to dig deep whether I'm improvising or not. It's just their style. That's the way they feel like they get what they want. I mean, they're really good storytellers, so I love being in their hands.