It's so important to create roles and characters and projects that feature black people in a way that's not specifically targeted toward the niche market, which is, like, a black movie is created and it's produced and pitched so that only black people will watch it ... I want to see dynamic characters and roles that everyone wants to watch.

I have so many mentors. I'm really lucky to be surrounded by incredible mentors, whether it be Solange Knowles or Gloria Steinem or Ava DuVernay, there are so many awesome people in my life, and so I'm lucky for them to kind of have fostered my identity as I grow into myself.

My mom reminds me that all things are possible.

It's a tiny revolution to express yourself fully and be who you want to be, especially when systems tell you that you can't. I've realized how powerful it is for me to just discuss issues with young people and begin conversations.

It's hard to find black roles that are just whimsical and fun and colorful. And I think, in many ways, that can be just as powerful in making commentary about race through movies.

Black Girl Magic is a radiant revolution against misogynoir - misogyny directed towards Black women and internalized hatred. Black women are subject to so many societal messages that tell them they are not beautiful, smart, or capable. Black Girl Magic is the conscious unraveling of those toxic concepts through self-love and acceptance. It preaches that despite the pressures I face, I glow more than ever before.

My hope as an actress is knowing that I'm someone who is more privileged - I'm biracial and lighter-skinned - and I hope it can open up the door for more women of color, especially darker-skinned black women. I hope everyone hops on the bandwagon and decides to start putting women of color in movies that aren't just about race.