I am a rebel, and I relate to the rebel spirit in Chenault [from the Rhum Dairy].

We all appreciated a certain aesthetic, and with that appreciation came a certain stylized presence.

I think there's an instinct to make grotesque horror films that are purely carnal, like the 'Saw' movies.

I've always been a private person and I've always valued my private life.

Every pound for a woman in the real world is seven pounds for an actress.

I've made movies that were adaptations and I've been kind of frustrated by the process because, you know that old axiom, 'It's never as good as the book'? It's often true because nothing competes with your own imagination. When you're reading a book and you imagine something in your head, nothing's going to compete with that.

I love things that have a vintage feel to them, just because there's a certain texture to them that we just don't have anymore. In fact I think I've been stuck in the 50s or 60s for a while...