What's kind of wonderful about being the voice in an animated film is you're a small part of an enormous production. And in a way, you get to remain a little bit objective.

I mean, I grew up in the Valley. All my friends were white Jewish kids. So the Latino kids thought I was this white girl.

Kids not only understand [a dark story] but appreciate it … Because in the real world there's fear, and dark things happen no matter how young you are. People lose parents, people lose friends … There's darkness in the world. So I think when kids are talked to in that way, they appreciate it. They're not being given some candy-coated, 'Oh, this is a world where there are no stakes.' I think that actually insults their intelligence.

The hardest part of this year has been learning to enjoy it. It's almost like a full-time job reminding myself to live in the moment and not look for more, more, more...I see now that people who make movies, this world of creative geniuses that I grew up idolizing, are just normal people who wanted to do something and made it happen. Everything that's happened to me in the last year has only made me feel more like a normal person, more human, but in the most beautiful way.

Latino actors and actresses have had to struggle for decades, but when I came around with Real Women Have Curves, attitudes were starting to change. We screened the film all over the world - in Jewish communities, black communities, Greek communities, German communities - and people across the board said, "That's my family."

You'd never catch me dancing on tables in public. I have no desire to be known for my personal life.

I'm not ashamed to say that I cried at an animation movie