Nowadays I'd describe myself as earnest, terribly earnest. I'm the person who wants everybody in the room to feel important and happy.

I mean, I grew up in the Valley. All my friends were white Jewish kids. So the Latino kids thought I was this white girl.

I just wanted to see every single musical I could. The very first one I saw was 'Beauty and the Beast,' the only one I could get tickets for, and then 'Les Miserables' and then 'Chicago.

The first time I landed in New York and got a cab to my hotel, I was completely struck by it: a feeling of life and chaos, 24 hours around the clock, just like in London. And whatever your problem is, it's insignificant. You're just a small part of something very big.

I could have easily been too afraid to say 'yes' to Chicago, because it requires so much I haven't done before. If I am a flop at singing and dancing, maybe my love for it will carry me through.

I'm not going to miss wearing the braces very much.

Salma and I had run into each other once or twice at film festivals because I was doing the press for Real Women Have Curves at the same time she was doing the press for Frida. She had seen Real Women Have Curves, and when the idea of Ugly Betty came up, she thought of me. Her enthusiasm about the project was so infectious-she spoke of it with such expectation. Everyone that was involved was really excited about the project. I really wanted to be a part of it.