All of my novels are democracies.

All you can see, if you look through the window - everything you see is a fulfillment of dreams, different dreams.

Israel is a fulfilled dream. Nothing that exists here existed here a hundred years ago.

Israel is a fulfilled dream. Nothing that exists here existed here a hundred years ago. "The State of the Jews" was not a title of a country. It was a title of a futuristic novel. A little more than a hundred years ago, "Tel Aviv" was not a city. It was a title of another novel written by the same author. The "Return to Zion" was a name of another novel. There was a bookshelf. There was no state. There was no nation. All you can see, if you look through the window - everything you see is a fulfillment of dreams, different dreams.

The Palestinians have no other land. They are absolutely right about this. The Israeli Jews also have no other land and they are absolutely right about this. It is a tragedy of two peoples claiming the same very small country - very small, about the size of New Jersey. And both of them are right. Both of them have no other homeland as peoples. As individuals, maybe, but not as a people.

The revival of Hebrew, as a spoken language, is a fascinating story, which I'm afraid I cannot squeeze into a few sentences. But, let me give you a clue. Think about Elizabethan English, where the entire English language behaved pretty much like molten lava, like a volcano in mid-eruption. Modern Hebrew has some things in common with Elizabethan English. It is being reshaped and it's expanding very rapidly in various directions. This is not to say that every one of us Israeli writers is a William Shakespeare, but there is a certain similarity to Elizabethan English.

The alternative to fanaticism and to death is not some miraculous realization that someone has been wrong and he has to apologize. No, the answer to fanaticism and to death is curiosity and compromise and concession.