In the same way in which music is made of notes and a painting is made of lines of colors, the matter of literature are words.

Everybody comes from somewhere.

The Six-Day War laid a foundation of deep hatred toward Israel 50 years ago. I said this at a very early moment back then, when people were chanting about liberating ancestral land. I was quick to say that regardless of the future of these territories, liberated they are not, because the term liberation only applies to human beings and not to land, not to real estate.

Well, my definition of a tragedy is a clash between right and right.

In the same way in which music is made of notes and a painting is made of lines of colors, the matter of literature are words.

I work in Hebrew. Hebrew is deeply inspired by other languages. Not now, for the last three thousand years, Hebrew has been penetrated and fertilized by ancient Semitic languages - by Aramaic, by Greek, by Latin, by Arabic, by Yiddish, by Latino, by German, by Russian, by English, I could go on and on. It's very much like English. The English language took in many many fertilizations, many many genes, from other languages, from foreign languages - Latin, French, Nordic languages, German, Scandinavian languages. Every language has influences and is an influence.

I'm a great believer in compromise. I know it's not popular among young idealists. Compromise is not popular. It's not at all popular among young people who these days call themselves "activists." They think compromises are dishonest, opportunistic, humiliating. Not in my vocabulary. In my vocabulary, the word "compromise" is synonymous to the word "life".