In the same way in which music is made of notes and a painting is made of lines of colors, the matter of literature are words.

There is a document in every novel in the world. Even in the most fantastic novel, even in science fiction, there is a documentary side. But, this side is not the crux of the matter.

If people are pro-Israel, they are pro-Israel one-hundred-and-twenty percent. If they are anti-Israel or pro-Palestinian, they tend to be pro-Palestinian one-hundred-and-twenty percent.

I would love to leave my children and grandchildren a nicer world than the one I am going to leave them. But bearing in mind that I was born in the world of Hitler, Mussolini and Franco, the legacy I leave them might not be as terrible as the legacy my parents and grandparents left to me.

The Jews have a powerful ally, America, but they do not really have a bigger family in the same way that there is a European family or an Arab-Muslim family. People who fail to understand this ambivalence will never understand this country. They will not be able to understand how Netanyahu could win the last election by saying the Iranians are coming, Islamic State (IS) is coming, the Arabs are coming, and the whole world hates us anyway.

I'm not sure I'm happy with words such as "task" or "role" when they are attached to literature.

All my novels are rooted in their time and in their place. The place of my novels is Israel, almost without exception. Almost without exception, my novels are rooted in Israel because that's the place I know well. And, that's my gutsy advice to any young writer: write only about what you know well. Don't write about that which you don't know.