Moving out to L.A. for me was a leap of faith. I was very secure in my dinner theater world; I loved it, and I was just like, 'I think there's something else out there for me and I just have to go for it.'

I used to have a lot of superstitions, and then I realized that it was kind of hogwash. Once I let go of them, I relaxed a lot.

I think there are certain people that you'll always want to impress no matter how much success you have.

It's always challenging when you're shooting a film. Shooting things out of order and keeping continuity on all levels is always for me the most challenging thing.

That's how I prepare for anything - I read whatever I can get my hands on, talk to people. I'm a bit of a nerd like that.

Whitney Houston came in. Someone dared me to do "the Gap act" on her. You know, the Gap act. So I went up to her like I didn't know who she was, and I said, 'Hi, I just wanted to let you know about our sale items and make sure to check out our new colors'. She looked at me like I was crazy.

Working with green screen, you really rely on the director in a way that you don't on different types of films.