When you work with kids, you realize if they have a really good, stable family environment that they're going to be okay.

You never know how things are going to turn out.

When the writing is good and it suits your character, you don't have to memorize anything, because it just makes sense. You read it and you go, "Oh, that makes sense." And it's easy.

I'm usually sort of ambiguous in terms of whether I'm playing a good person or a bad person. I can walk that line of funny but also dark, and I'm happy doing that.

People who work on soaps all the time understand the formula of how to do it.

When you're going to spend a couple of weeks with people, you want to be with people that are enjoyable.

I lived in San Francisco for about eight years and I did a lot of improvisation there. The improvisational world ruled the voice world in San Francisco, so I became a voice talent there and did a lot of commercials and worked all the time. But I never could break into animation.