Now, you always know there's going to be some compromise when you're doing something for television, and especially network television.

I've never done any Hallmark movies. I don't know why.

When the writing is good and it suits your character, you don't have to memorize anything, because it just makes sense. You read it and you go, "Oh, that makes sense." And it's easy.

I lived in San Francisco for about eight years and I did a lot of improvisation there. The improvisational world ruled the voice world in San Francisco, so I became a voice talent there and did a lot of commercials and worked all the time. But I never could break into animation.

I love to perform and I love to perform characters, and sometimes when I'm doing television and film, I just feel like I'm making a living. I'm good at it, but I'm not really being artistically challenged.

I'm usually sort of ambiguous in terms of whether I'm playing a good person or a bad person. I can walk that line of funny but also dark, and I'm happy doing that.

There's still formulaic stuff on network television, but there's also more of an opportunity to have your way with storytelling, especially in sitcoms. That's what the difference is.