I'd like to think that I don't have a stock character that I go to. I'm lucky in that when you get to initiate your own scene, you get to play whoever you want. That's really kind of cool, but all my characters are short. I look on the videotape, and I thought they were taller, but they're all 5'2".

You can't stand around and wait to be asked to dance.

When I began doing theatre in high school I saw that I could get laughs from people but I didn't really connect that to going on and becoming a comedian. I was interested in acting and while I was at Boston College I was part of an improv group, Mother's Fleabag, which had a long history and has been known as one of the best college improvisation groups in the U.S.

I used to get my hair dyed at a place called Big Hair. It cost $15. They just used straight bleach, so my hair was the color of white lined paper, and my eyebrows looked like they were done with a thick black marker.

When young girls are encouraged to explore what they find interesting, they grow up to be interesting women.

Improvisation is almost like the retarded cousin in the comedy world. We've been trying forever to get improvisation on TV. It's just like stand-up. It's best when it's just left alone. It doesn't translate always on TV. It's best live.

I lived in Chicago for a few years and got a sense of - kind of that broad-shouldered, windy, um, stern, Midwestern, warm-slash-passive aggressive, wonderful - every adjective I can think of, very cold.