I like to invest as a performer in the director's vision and then bring a sense of reality to whatever I'm doing, whether it's comedy or whether it's drama, and trust that they're going to tell me if something's reading as funny or if it's reading as dramatic or reading in the right tone.

Boredom is usually what spurs either bad decisions or any decision at all.

If you're constantly moving, you can get in a monotony that's just as equally boring as sitting still for a long period of time.

I sublet place to place with my fiancé. We don't really have a home. I haven't had a proper home for years.

I was doing experimental theater and experimental film in San Francisco, and I moved to Los Angeles, and what I got frustrated with was, it seemed like everyone was waiting for something to happen. Obviously, films take a lot of planning, and I wanted something more immediate, and comedy started to become that.

I've gotten a lot more comfortable with the audition process, but there's something that really turned me off initially when I was younger, to auditioning. The idea that I couldn't get to the person that was actually making the film really frustrated me.

I've never really dreamed of owning a home. I don't think you go into the arts and also dream of owning a home.