People have nannies and big cars, and they want to go to Maui for Christmas. When there are those kind of stakes involved, people get ruthless.

With a sitcom, everyday you do a run through, and people are judging you, and the scripts are being changed nightly, nightly, nightly.

As a writer, all you want to do is write for great actors. That's all.

People have nannies and big cars, and they want to go to Maui for Christmas. When there are those kind of stakes involved, people get ruthless.

I don't begrudge anyone else for anything, but to me, I think the fans deserve to have a studio put money behind their product because when the fans put money into a project and it makes any sort of money, it goes back to the studio. I think that's a little shady.

The problem is that if we had known Satan was taking over the world we would have needed a whole other budget for, like, dragons and flying demons and, you know, like the sun disappearing from the world. Winter is coming. It would have been so expensive the way we would have needed to do it, had we known that the apocalypse was coming.

You can have a good moment with a parent you are estranged from, and you have a great moment, and then the next time you see them, everything's back to the way it was before and you guys are throwing knives at each other.