I played Liddy Dole last year and met her as well. From the artful way she phrased it, I still don't know if she had actually seen me play her. She made it sound like it was good, but that's just a gift they have.

Comedy's been really liberating for me because I've been able to sneak the singing part in through the back door.

Be tenacious. Get as much stage time as possible.

You know, once somebody knows you can sing Elphaba, it's like being able to sing Evita - people shut up about it already.

Writers tend to hate recurring characters; there's this writer snob thing about it. But I don't have that. I feel like the challenge is always to find a cool and innovative way to do it and, obviously, to not repeat your jokes.

I'm not a standup, but I play one on TV.

I've done a ton of theater work and dramatic work, but nobody really knows me that way.