Music is one of my big orgasmic meters. I need it, I love it. I'm so happy when people bring it up because I love it. I need it.

Whenever you anticipate something - like, "it's my highly anticipated whatever" - you are probably going to be disappointed. I wish we could all Eternal Sunshine Of The Spotless Mind ourselves every time we went to the movies and not know anything about anyone.

I don't personally do that many castings. But I did get involved in "The Bad Batch," because we couldn't think of an actress that was a 3-D embodiment of the character. But when I saw Suki Waterhouse on tape, I knew she was 'it.' And I can't describe that any more than to say that I never had to really express to her the the ideas that were on the page, she just instinctively embraced it. She was Arlen, and I didn't want to f**k it up. Her instinct was just it.

I'm trying to figure out a way to find comfort in my life as a human. I'm trying to be good at being a human being. You get chopped up. Someone breaks your heart, you lose your job, you get disappointed, someone dies in your family. Life chops you up, and you have to go on.

The history and baggage of certain actors and characters - it goes into the movie and becomes part of it. If Keanu Reeves wasn't Keanu with all the things that make him Keanu, it wouldn't be the same for him to come in and become his Bad Batch character The Dream. It's kind of meta or next-level interesting for me.

Music is one of my big orgasmic meters. I need it, I love it. I'm so happy when people bring it up because I love it. I need it.

When I came up with the concept of 'The Dream,' on the surface he just seemed like another creepy bad man or villain. It had to be played by someone larger than life, but not malicious. And Keanu Reeves is that person to me, and he was The Dream like I wanted The Dream.