In each studio there is a human being dressed in the full regalia of his myth fearing to expore a vulnerable opening, spreading not his charms but his defences, plotting to disrobe, somewhere along the night-- his body without the aperture of the heart or his heart with a door closed to his body. thus keeping one compartment for refuge, one uninvaded cell.
Anais NinShe walked in the shadow of Rango with a great feeling of being taken out of herself, of having no knowledge of what was happening to her, merely a pervading sense of flow.
Anais NinI walked into my own book, seeking peace. It was night, and I made a careless movement inside the dream; I turned too brusquely the corner and I bruised myself against my madness.
Anais NinAnd silence. She liked the silence most of all. The silence in which the body, senses, the instincts, are more alert, more powerful, more sensitized, live a more richly perfumed and intoxication life, instead of transmuting into thoughts, words, into exquisite abstractions, mathematics of emotion in place of violent impact, the volcanic eruptions of fever, lust and delight.
Anais Nin