For the neurotic, the merging of the subconscious and the conscious may be risky, just as it is for the users of drugs. But for the writer who is aware of the way in which this connection exists in reality and nourishes creativity, the sooner he can achieve a synthesis among intellect, emotion, and instinct, the sooner his work will be integrated.

The theme of the diary is always the personal, but it does not mean only a personal story: it means a personal relationship to all things and people. The personal, if it is deep enough, becomes universal, mythical, symbolic; I never generalize, intellectualise. I see, I hear, I feel. These are my primitive elements of discovery. Music, dance, poetry and painting are the channels for emotion. It is through them that experience penetrates our bloodstream.

A man who lives unrelated to other human beings dies. But a man who lives unrelated to himself also dies.

I cannot concentrate all my friendship on any single one of my friends because no one is complete enough in himself.

The value of the personal relationship to all things is that it creates intimacy and intimacy creates understanding and understanding creates love.

The core of creation is to summon an image and the power to work with the image.

Too late for changes, too late perhaps for explanations and ideological webs, but the love goes on, the love goes on, blind to laws and warnings and even to wisdom and to fears. And whatever that love is, perhaps an illusion of a new love, I want it, I cant resist it, my whole being melts in one kiss, my knowledge melts, my fears melt, my blood dances, my legs open.