I love her for what she has dared to be, for her hardness, her cruelty, her egoism, her perverseness, her demoniac destructiveness. She would crush me to ashes without hesitation. She is a personality created to the limit. I worship her courage to hurt, and I am willing to be sacrificed to it. She will add the sum of me to her. She will be June plus all that I contain.

Jeanne, I fell asleep among the paintings, where I could sit for many days worshipping your portrait. I fell in love with your portrait, Jeanne, because it will never change. I have such a fear of seeing you grow old, Jeanne, I fell in love with an unchanging you that will never be taken away from me. I was wishing you would die, so that no one could take you away from me, and I would love the painting of you as you would look eternally.

Descendants of pigeons once fed by Keats, Byron, George Sand, Chopin and many other famous lovers are still being fed, and the sudden sound when they all rise together, frightened away, is like the sound of giant sails flapping.

In New York the acoustics are good for laughter, for life is all external, all action, no thought, no meditation, no dreaming, no reflection, only the exuberance of action.

He was jealous of her future, and she of his past.

What is love but acceptance of the other, whatever he is.

For the neurotic, the merging of the subconscious and the conscious may be risky, just as it is for the users of drugs. But for the writer who is aware of the way in which this connection exists in reality and nourishes creativity, the sooner he can achieve a synthesis among intellect, emotion, and instinct, the sooner his work will be integrated.