To mistake ugliness for reality is one of the frauds of the realistic school [of writing]. A hunger for the unknown and an aspiration toward beauty were inseparable from civilization. In America the word art was distorted to mean artificial.
Anais NinShe was fully, painfully aware that very rarely did midnight strike in two hearts at once, very rarely did midnight arouse two different equal desires, and that any dislocation in this, any indifference, was an indication of disunity, of the difficulties, the impossibilities of fusion between two human beings.
Anais Nin