I wanted to remember in order to be able to return.

I looked at it [revolver] as if it reminded me of a crime I had committed with an irrepressible smile such as rises sometimes to people’s lips in the face of great catastrophes which are beyond their grasp, the smile that comes at times on certain women’s faces while they are saying they regret the harm they have done. It is the smile of nature quietly and proudly asserting its natural right to kill.

We are never trapped unless we choose to be.

The final lesson a writer learns is that everything can nourish the writer. The dictionary, a new word, a voyage, an encounter, a talk on the street, a book, a phrase learned.

At first I protested and rebelled against poetry. I was about to deny my poetic worlds. I was doing violence to my illusions with analysis, science, and learning Henry’s language, entering Henry’s world. I wanted to destroy by violence and animalism my tenuous fantasies and illusions and my hypersensitivity. A kind of suicide. The ignominy awakened me. Then June came and answered the cravings of my imagination and saved me. Or perhaps she killed me, for now I am started on a course of madness.

To the woman with the least intelligence, there must come, at some time or other, the realization that housework is animal work and that there are other occupations in the world a thousand times more refined, more enriching, for which she is also suited and to which she has a right.

I walk ahead of myself in perpetual expectancy of miracles.