The child in me could not die as it should have died, because according too legends it must find its father again. The old legends knew, perhaps, that in absence the father becomes glorified, deified, eroticized, and this outrage against God the Father has to be atoned for. The human father has to be confronted and recognized as human, as man who created a child and then, by his absence, left the child fatherless and then Godless.

Woman does not forget she needs the fecundator, she does not forget that everything that is born of her is planted in her.

The ivory tower of the artist may be the only stronghold left for human values, cultural treasures, man’s cult of beauty.

We do not grow absolutely, chronologically. We grow sometimes in one dimension, and not in another, unevenly. We grow partially. We are relative. We are mature in one realm, childish in another. The past, present, and future mingle and pull us backward, forward, or fix us in the present. We are made of layers, cells, constellations.

Each friend represents a world in us.

The only transformer and alchemist that turns everything into gold is love. The only magic against death, aging, ordinary life, is love.

She was fully, painfully aware that very rarely did midnight strike in two hearts at once, very rarely did midnight arouse two different equal desires, and that any dislocation in this, any indifference, was an indication of disunity, of the difficulties, the impossibilities of fusion between two human beings.