She makes use of the soft of the bread for a napkin. She falls asleep at times with shoes on, on unmade beds. When a little money comes in, June buys delicacies, strawberries in the winter, caviar and bath salts.

I have a prejudice against people with money. I have known so many, and none have escaped the corruption of power. In this I am a purist. I love people motivated by love and not by power. If you have money and power, and are motivated by love, you give it all away.

I looked upon a clock to find the truth. The hours were passing like ivory chess figures, striking piano notes, and the minutes raced on wires mounted like tin soldiers. Hours like tall ebony women with gongs between their legs, tolling continuously so that I could not count them. I heard the rolling of my heart-beats; I heard the footsteps of my dreams, and the beat of time was lost among them like the face of truth.

... and the very folds of the curtains contained secrets and sighs.

The writer is the duelist who never fights at the stated hour, who gathers up an insult, like another curious object, a collector's item, spreads it out on his desk later, and then engages in a duel with it verbally. Some people call it weakness. I call it postponement. What is weakness in the man becomes a quality in the writer. For he preserves, collects what will explode later in his work. That is why the writer is the loneliest man in the world; because he lives, fights, dies, is reborn always alone; all his roles are played behind a curtain. In life he is an incongruous figure.

Writers do not live one life, they live two. There is the living and then there is the writing. There is the second tasting, the delayed reaction.

Our psychological reality, which lies below the surface, frightens us because it endlessly surprises us and drives us in a direction which society's rules and organizations define as wrong or dangerous.