My love stories are about people who are reluctant to actualize what they so desperately want. They are timid, cautious, but eventually they dare to speak. My characters are not only hesitant; they are ambivalent about which way their libido flows: toward men or women? They are fluid in their sexuality, and this ambivalence says more about how we think about sex today than, say, Tinder. And this is a truly modern idea: Most of us don't know who we are sexually.
André AcimanMost of us can't help but live as though we've got two lives to live, one is the mockup, the other the finished version, and then there are all those versions in between. But there's only one, and before you know it, your heart is worn out, and, as for your body, there comes a point when no one looks at it, much less wants to come near it. Right now there's sorrow. I don't envy the pain. But I envy you the pain. (p. 225)
André AcimanNo one starts as a self-hater. But rack up all of your mistakes and take a large enough number of wrong turns in life and soon you stop trying to forgive yourself. Everywhere you look you find shame or failure staring back.
André AcimanI suddenly realized that we were on borrowed time, that time is always borrowed, and that the lending agency exacts its premium precisely when we are least prepared to pay and need to borrow more.
André AcimanAt one hundred, surely you learn to overcome loss and grief—or do they hound you till the bitter end?
André Aciman