Most of us can't help but live as though we've got two lives to live, one is the mockup, the other the finished version, and then there are all those versions in between. But there's only one, and before you know it, your heart is worn out, and, as for your body, there comes a point when no one looks at it, much less wants to come near it. Right now there's sorrow. I don't envy the pain. But I envy you the pain. (p. 225)

Would I still feel this way on leaving the party tonight? Or would I find cunning ways to latch on to minor defects so they'd start to bother me and allow me to snuff the dream till it tapered off and lost its luster and, with its luster gone, remind me once again, as ever again, that happiness is the one thing that in our lives others cannot bring.

If I could have him like this in my dreams every night of my life, I'd stake my entire life on dreams and be done with the rest.

Perhaps we were friends first and lovers second. But then perhaps this is what lovers are.

There is always going to be a risk in a new love, a difficulty to be overcome, and more so considering all the challenges facing gay love, particularly in an adolescent. The desired other person could turn out to be a wolf in sheep's clothing, could hurt us, could even ruin us. But the risk has to be taken.

Many critics speak about coming-of-age love, about initiation, about young libido, and so forth. I've never seen it only this way. We continue to examine things ever so minutely, we interpret obsessively. We may be less bold at 40 than we were at 17, but we're familiar with the road map; we know the bumps in the road; we recognize the sudden turns, the one-way streets, and the dead ends. And we are hurt just the same as when we were teenagers.

At one hundred, surely you learn to overcome loss and grief—or do they hound you till the bitter end?