Who am I? If this once I were to rely on a proverb, then perhaps everything would amount to knowing whom I 'haunt.'

How I loathe the servitude people try to hold up to me as being so valuable. I pity the man who is condemned to it, who cannot generally escape it, but it is not the burden of his labor that disposes me in his favor, it is - it can only be - the vigor of his protest against it.

To see, to hear, means nothing. To recognize (or not to recognize) means everything.

A game: say something. Close your eyes and say something. Anything, a number, a name. Like this (she closes her eyes): Two, two what? Two women. What do they look like? Wearing black. Where are they? In a park. . . . And then, what are they doing? Try it, it's so easy, why don't you want to play? You know, that's how I talk to myself when I'm alone, I tell myself all kinds of stories. And not only silly stories: actually, I live this way altogether.

There is nothing with which it is so dangerous to take liberties as liberty itself.

The pure playfulness of certain wholly whimsical portions of (Charles) Cros’s work should not obscure the fact that at the center of some of his most beautiful poems a revolver is leveled straight at us.

The approval of the public is to be avoided like the plague. It is absolutely essential to keep the public from entering if one wishes to avoid confusion. I must add that the public must be kept panting in expectation at the gate by a system of challenges and provocations.