I really think that if there's any one enemy to human creativity, especially creative writing, it's self-consciousness.

We are all living this dance and it is clearly fraught with making choices. Lots of my choices are bad and that's normal. None of us are attractive at all times. What is attractive to me is authenticity.

I'm one of those writers who can't talk about what they're working on. The entire four years I was writing 'House of Sand and Fog,' my wife never saw a word of it. I just have to keep it in the womb, and then everyone can have a crack at it.

I think the writer's job is to paint the gray because no life is clearly defined.

Somewhere, sometime I'd stopped expecting my father to father.

Teaching well draws from the same well that writing draws from: the reserves of compassion and ability to listen and concentrate on another. So I have to have fine line between teaching and writing. I try not to ever think of career. I just try to go to the dream world every day.

my belief in the sacrament of the Eucharist is simple: without touch, God is a monologue, an idea, a philosophy; he must touch and be touched, the tongue on flesh, and that touch is the result of the monologues, the idea, the philosophies which led to faith; but in the instant of the touch there is no place for thinking, for talking; the silent touch affirms all that, and goes deeper: it affirms the mysteries of love and mortality.