Working on Shakespeare and learning about Shakespeare was the big takeaway for me.

Politically, nowadays, as we know and feel, we are similarly underrepresented and not heard.

I wanted to work with Barry [ Jenkins]. I am a big fan of his from Medicine for Melancholy years ago. Tarrell [Alvin McCraney] is my favorite playwright. I will do anything he asks. The characters were so clearly drawn and three dimensional. It was an easy thing to say yes to.

The surgeries were the hardest scenes for me because it's literally balancing so many balls in the air, at the same time, and each surgery is different.

People do come up to me quite a lot. I get called all of it. I rarely get called my name; it's usually "Hey, Dr. Edwards!" or "Algernon." The most common thing is, "You're the black doctor on that show!" I'll take any of it, because I've definitely been called much worse things.

I am also producing and writing a bunch.

You turn up in the morning, you get through hair and make-up, and then you are on set working until it's time to go home. And I love that. Coming from the theater, you just turn up and you're ready for whatever happens. That energy really appeals to me.