Some socialist movements in Egypt, Tunisia and Bahrain, for instance, were genuine. I was making films about the so-called Arab Spring, and I'm well aware of how complex the situation really was. But it goes without saying is that the West immediately infiltrated and 'derailed' the revolutions, turning them into what you have described.
Andre VltchekTo create such people, such People's Representatives in Indonesia, would take decades, and they can only grow up in a fundamentally different political system, and in a totally new culture. What is now governing Indonesia is morally defunct, it is corrupt. What is ruling the country now is not even a culture or a political system: it is a disease.
Andre VltchekNow, the situation is much worse in Indonesia than 10 years ago. It is because then, there was still some hope. The progressive Muslim leader Abdurrahman Wahid, was alive and so was Pramoedya Ananta Toer. Mr Wahid, a former President of Indonesia, was a closet Socialist. He was deposed by a judicial coup constructed by the Indonesian elites and military, but many Indonesians still believed that he would manage to make a comeback.
Andre VltchekComrade [Rafael] Correa gets it right, most of the time. This is new, 'final' offensive of the Empire in Latin America.
Andre VltchekIf people in Indonesia look 'different', they are afraid. Racist insults fly if someone does not look like part of the majority. Indonesia is one of the most racist countries on earth, and it has proven it during several of the genocides that have taken place here. But there is no perception, no clue, and no understanding of what racism actually is. And there is zero self-criticism.
Andre VltchekCulture has to be constantly on the vanguard, too. It should be educating people, as it does in Latin America: thousands of great theatres, art cinemas, millions of free books distributed by the governments, public poetry readings, free public lectures, and all sorts of bookstores are open until early mornings, exhibitions reacting to the needs and sorrows of society, concerts of engaged music.
Andre Vltchek